Giant Squid – The Ichthyologist
Concept albums are my crack cocaine. The ability to string together a theme or themes throughout a 60 minute record while enforcing your message takes more than just musical talent. It takes confidence in the material and the ability to deliver a message through sound. This album has a tale to tell..
A boat captain is out to sea. He warns his men of sea nymphs and mermaids. He does his best to brace himself for the inevitable war that the sea will wage upon him. When it does, a whale attacks and his boat is destroyed. His men are killed, his life ruined, and all hope for humanity within this man is gone. He transforms, he becomes something primal, something that lets him survive. But with his survival comes shame and fear. He knows too much about the sea and those that reside within. He understands death and decay. He is no longer human, not quite an animal, but broken and shattered.
Mix in a shark attack, lament, and some self-fulfilling prophecy and you can start to understand this work.
This is a metal album, but don’t let that fool you. Yes, this album is heavy as can be, but the cello’s, the Tom Waits-esque vocal styling, plus guest vocalist Anneke Van Giersbergen (who makes an appearance back on my countdown) give this a much fuller sound. Plus we have Matt Bayles producing the whole thing, and that guy has done it all, from Mastodon, Blood Brothers, and Pearl Jam to Minus the Bear, HORSE the band, Rocky Votolato, and Isis.
Best of all, they are local, relatively, hailing from Sacramento and San Francisco. The singer wrote a graphic novel that this album is based upon, and I’d be happy ot track that thing down and see it the visual imagery is as detailed as the lyrical imagery.
Here is the opening track, and notice the trumpets, the build-up, the violent vocals that waver from strong to scared.
And finally, for another side of the story, is “Sevengill”, which references a type of shark. Fans of Murder by Death and similar outfits will love this one.
So why is this number one? What makes this thing stand out above the other nine albums I mentioned already?
Besides the concept album piece, this album changed the way I thought about music this year. 2008 had a ton of great music, especially in the heavy metal genre, but nothing this year really grabbed me by the throat and made me pay attention like Giant Squid. I’m a sucker for prog, and there isn’t any here. I love guitar solos, and there are little to none to be found on this album as well. This band plays well together and the vocal styling is as inviting as it is unnerving. This album shook loose a lot fo things in my brain.
The track “Throwing a Donner Party at Sea” starts off with this Kyuss-influenced bass tumble that transmogrifies into a spiraling trumpet-filled epic poem with a soaring cello line above the whole thing, giving it wings. It’s unlike anything else I own, honestly, and I’m glad I know about it.
Sadly, the one chance i had to see these guys live went by the wayside, as I was moving and the last night I had to spend with my girlfriend was the same night they were playing in a dinky club in Chico, CA. Love over music, any day, but I hope they come back so I can finally hear this thing live. I implore you all to do the same.